It’s often most effective when used at a low opacity, as this allows you to gradually smooth out rough areas (to set a brush opacity quickly hit 1 for 10%, 2 for 20% and so on).Īll these tools can be set to ‘Sample All Layers’. The Clone tool simply copies pixels from the source area to the painted area. Both of these other tools require you to Alt-click to sample a source – usually a clean area nearby. Simply paint over them and let the tool do the work (for long scratches, shift-click between two points to paint a straight line).Īs with all automated tools the Spot Healing Brush can occasionally go wrong, but this is when you can switch to either the Clone tool or Healing Brush to tidy up. As such, it’s brilliant for removing the little spots, marks, dirt, scratches and wrinkles that inevitably appear in old prints. It works by automatically sampling from the surrounding image in order to x the area being painted. The Spot Healing Brush is usually the one to start with. There are two healing tools to choose from: the Spot Healing Brush and Healing brush. The Clone Stamp tool and Healing brushes are the go-to tools for much restoration work – or indeed all kinds of retouching tasks. Credit: James Paterson Master the Healing and Clone tools The Spot Healing Brush is ideal for removing little scratches and marks quickly. As for camera settings, it’s best to use ISO 100 for maximum image quality, and set a mid-range aperture like f/5.6 or f/8, as this is typically the sweet spot where most lenses are at their sharpest.īefore (left), After (right). It can be helpful to stick the print to a wall, as it makes it easier to position the lights on either side, each angled at 45°. The key thing is to light the print evenly with two lamps (you can use either flashes or constant lighting) on either side of the print. If you can’t use a scanner then a camera will do the job. It’s best to use a flatbed scanner to digitise the print – set the scanning resolution to 300 pixels per inch or more. If the photo is in a frame then take care removing it, as the emulsion may stick to the glass and come away when it’s pulled out. The first task is to transform your old prints into ones and zeros. We’ll explore a few typical problems and how to fix them. Even heavy-duty restoration work such as repairing ripped prints is possible with simple layer and masking skills. Retouching tools like the Healing brushes and Clone tool are ideal for fixing marks and scratches, and the tonal commands make it easy to enhance and sharpen faded old details. Whether you’re restoring snaps from your own family album or as a favour for someone else, it leaves you with a glow as warm as the gorgeous sepia tones in these treasured old mementos.įor users of Photoshop Elements, there are a host of powerful restoration tools on offer. There’s something deeply satisfying about breathing new life into damaged prints, so that they can be cherished for years to come. Nothing is left out, from choosing the right hardware and software and getting the photographs into the computer, to getting the finished photo out of the computer and preserving it for posterity.Few Photoshop tasks are as rewarding as restoring an old photo. Photographs, Photographs - Conservation And Restoration - Data Processing, Photographs/ Conservation And Restoration/ Data Processing, Photography - Digital techniques, Photography/ Digital Techniquesĭigital Restoration: Start to Finish 2nd edition guides you step-by-step through the entire process of restoring old photographs and repairing new ones using Adobe Photoshop, Picture Window, and now Elements.
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